Fujifilm Superia 400 look for Lightroom & Sony Alpha
Superia is the Fuji counterpart to Kodak Gold, and it leans the opposite way: green-cyan in the shadows, saturated greens, and highlights with a faint magenta tilt. Slightly cool, slightly strange, and instantly readable as nineties consumer film.
How to shoot and edit it
- Foliage and daylight suit it. The green shift becomes an asset outdoors.
- Skin can go cold — warm the orange channel specifically rather than the whole image.
- Keep contrast moderate. Superia was never a punchy stock.
What you'll get
A Lightroom Classic preset you can import as a .xmp, a Sony Alpha Creative Look recipe for new-menu bodies, and a Picture Profile recipe that works on every Alpha back to the A7 III — all tuned to this look, in one generation.
Generate it nowRelated looks
Classic Negative emulates consumer colour-negative film: magenta creeping into the highlights, cyan settling in the shadows, crushed blacks and midtones that stay warm and contrasty. It is the most opinionated of the Fujifilm profiles and the reason a lot of people bought into the system.
The early-2000s compact camera aesthetic that came back around: oversaturated colour, aggressive sharpening, highlights that blow flat, a faint green-magenta cast and the unmistakable look of a direct on-camera flash. Technically bad, culturally dominant.
Gold 200 is the drugstore film that turned into an aesthetic: a golden overall cast, punchy yellows and reds, shadows that lean slightly green, and blacks that never quite reach black. Cheap film chemistry became a look people now deliberately buy.
Make your own version of Fujifilm Superia 400 look
Adjust the description, add a reference photo, or import a preset you already own — Preset Lab returns the Lightroom values and the in-camera settings together.
Open the generator