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Film simulations, classic stocks and the styles people ask for most.
Classic Chrome is Fujifilm's documentary profile — modelled on the muted, slightly cold rendering of reportage slide film. Saturation drops across the board, shadows pick up a teal cast, greens slide toward olive, and highlights stay clean and faintly warm. It flatters overcast light and city streets far more than bright sun.
Portra 400 is the portrait negative most digital shooters are actually chasing: forgiving latitude, soft contrast, skin that lands warm but never orange, and greens pulled back so they never compete with the subject. Understated by design.
The complementary grade that runs through modern cinema: shadows pushed teal, skin held warm and orange, everything else desaturated so the two poles carry the frame. Overused in bad hands, still extremely effective when the separation is subtle.
800T is cinema film respooled for stills, balanced for tungsten light: shot at night the shadows go deep blue while sodium and neon sources bloom warm orange, with the characteristic red halation glowing around every bright point. The definitive night-city film.
The last hour before sunset, amplified: amber highlights, glowing skin, soft lifted blacks and just enough haze to feel like the light is physically in the frame. Warm without tipping into orange, soft without going flat.
Acros is Fujifilm's black and white profile, named after the film stock: exceptionally fine grain, strong micro-contrast and clean gradation from deep blacks through to open highlights. It holds detail in the shadows better than most digital monochrome conversions.